Om natten er Harlems gader hjemsøgte af fortabte skæbner. Kroppe, der driver rundt i mørket og bærer fortiden på sig. Haitianske Frenchie er én af dem, hans accentuerede stammen vidner om eksil og års misbrug. Men han er andet og mere i Khalik Allahs nye, hypnotiske filmværk, der udvider den amerikanske tradition for socialrealistisk gadefotografi som en kunstform i sig selv. Khalik Allah er en formidabel fotograf, og har skabt sit hidtil mest ambitiøse værk, hvis grundelementer – billede og lyd, skaber og medvirkende – altid står i et fragmenteret, men meningsfuldt forhold til hinanden. En trance-inducerende film om kærlighed, venskab, religion og politik.
At night, the streets of Harlem are haunted by lost souls. Bodies that drift around in the darkness and bear the weight of the past on their shoulders. The Haitian man Frenchie is one of them, and his accentuated stutter bears witness to exile and years of abuse. But he is more than just that in Khalik Allah’s new, hypnotic film which turns the American tradition of social realist street photography into its an art form in itself. Khalik Allah is an marvelous photographer, and with Frenchie and the other characters of the streets in front of his lens, he has created his most ambitious film to date. The variation of formats – 8mm, 16mm and video – reminds us not only that the images are the product of a process, but also that the depicted story is fragmented and that any unifying narrative must necessarily come from the protagonists themselves. The sound of the voice is consistently separated from the images of the body to which the voice belongs, no matter who is talking: Allah, his girlfriend, his mother, his family, or Frenchie himself. Allah’s film is a space we move through, rather than a linear progression through time. A trance-inducing film about love, friendship, religion and the experience of meaning.